#which only makes me feel more evil about it all.

[star--stilinski]

i need some much stiles

much stiles, much happy! jk, i understand ya. i just love making fun of typos because i'm actually evil.

☆

stiles is insatiable.

seriously, no matter how much you squirm and whine, he won't fucking quit. you started this, though. you suppose it might be warranted.

of course, your "starting it" was all in compassion. when he first asked (a husky mumble in your ear as he tugged at the waistband of your sweats), you had told him he'd be disappointed. that only certain guys really actually like it. that you haven't shaved, aren't pornstar pretty, your thighs might actually crush him.

and he took that very personally.

told you that "any real man knows getting crushed by thighs like yours while tasting your orgasm is the real way to end their evening" and went even further to say that "if you seriously expect me to be attracted to that child-looking shit then you're sorely mistaken." he then proceeded to lay you back and get comfy between your legs.

you didn't realize the monster you'd create.

he moaned when he first tasted you, after ample "warm up" (his words, not yours) and a good amount of ogling your up-close sex. his movements started off unsure and a bit sloppy, before he found his rhythm and got confident. from there, he was bringing you close and then pulling you back a few times, just for the fucking fun of it. it was the most torturous pleasure you'd ever felt.

after the first orgasm (where you unconsciously thanked him over and over, which unlocked a new kink for him. yippee.), your back arched slightly and your lips parted in a moan, you expected that to be it. the end. maybe a hand job for his fantastic work and then knocking out after a shower.

instead, stiles didn't even let up.

his eyes are closed, humming against your clit as he holds you by the thighs. partly because, well, stiles loves your thighs. and partly because he has to keep you still.

overstimulation hurts so good. you tug at his hair, gasping "stiles, it hurts, please," and he relents. but he only pulls back a bit, giving you a moment of relief as he licks his lips with hooded eyes trained on you.

"you okay, baby?" his words seem to bleed into one another, hands squeezing your plush thighs like he's holding himself back. the sight it downright evil, really; you've already forgotten how it hurt for him to keep going.

your head falls back onto your pillows and you scrunch your features up. "you don't have to-"

"please, i want to, please." his tone takes a rapid uptick into begging territory. "only a little longer, promise i'll be good, make you feel so good. just a bit more, yeah?"

you lift your head, tired and breathless, to meet his eyes. they're unfocused as he flicks his attention between you and your sex. letting your head rest back on the cushions, you take a deep breath and nod once. "alright, just a little longer."

"thank you, fuck. thank you so much baby." stiles litters kisses all over the insides of your thighs, his own way of showing gratitude before he dives back in, eyelashes notably fluttering when he takes a taste of you again.

he's not very kind after that.

round two, then three, and by the fourth- your jaw is slack and your brow is pinched together, but you're not sure if the expression is from pleasure or pain. when you come, actual tears prick at your eyes. stiles' tongue flicks your sensitive clit, working you over the edge, as you babble nonsense in your haze. this orgasm peaks with it's own bundle of pain involved, and your nerves seem to be getting the two mixed up as your hips attempt to twitch, held in place by stiles' big, demanding hands.

"tastes so good, mhmm, been thinking about this forever," stiles' words are barely audible as he looks up at you. his face is glistening, basically from nose to chin, and he's totally pussy drunk. you've never believed that expression until you see it in stiles' hooded eyes, head resting against your thigh. his cheeks are completely flushed and his hands are massaging your hips with more pressure than necessary, probably not even aware of the motion since his own hips are lazily grinding into the mattress.

you let out a heavy breath and smooth your fingers over his hair to try and fix what you did when you were preoccupied. it doesn't help the tameless mess he's sporting, but the look kinda suits him. "so?"

he blinks slowly, smiling up at you like you're the one who looks completely in love. well, you're four orgasms deep and stiles looks so pretty in between your thighs, so... maybe you do look like that. he licks his lips, and it makes goosebumps rise on your skin. "so, what?"

"d-did- are you disappointed?" the question sounds stupid now that it's out of your mouth, but he's too far gone to even laugh at you.

"jesus, no. could do this all day if you'd let me." his brow furrows. "would you let me?"

you laugh breathlessly and let your head fall against the pillows, scratching his scalp lightly. "i dunno. maybe." tugging him by the hair (which causes a sudden buck of his hips where they're grinding. go figure) you mumble, "c'mere?"

he crawls over you, wiping his face off on the way, and collapses while pressing his face into your neck. "yeah? what're you thinking about?"

you breathe in his scent, mind filled with stilesstilesstilesstilesstiles. "you. what are you thinking about?"

his arms wrap around you comfortably. "you."

"you can't have the same answer." your voice is weaker with his body weight on you. "that's cheating."

"alright, fine. i'm thinking about eating you out again."

"jesus, stiles." you feel him smile against your neck, and his arms tighten around you.

"what? i'm hungry!"

"it's not a- god, i've made a monster!" you laugh and cover your eyes, feeling him lift himself halfway off of you. "this is going to be the death of me."

"correction," his voice lowers, and you feel him planting kisses down your neck, then your chest. as he gets to your stomach, you peek through your fingers to find him assuming his previous position.

"i'm going to be the death of you."

☆

yayyy i'm posting while in a slump!!!!!!!! yayyy i'm not a total failure!!!!!!!!!!! (sobs heard in the distance)

sorry this is my worst ever creation look at this ugly FREAK

[tls12lessthan3]

rereading the lee jihye cinema scene is really making me think about the parallels between kim dokja and lee jihye in ways that are so evil. like the point of this scene is lee jihye grappling with her trauma from killing na bori with kim dokja's help, with him telling her that its true she did a terrible thing but that all that matters now is she lived, and that she has to continue living. "Atone for the rest of your life or live a garbage life. Just somehow survive!"

lee jihye did something horrible to someone who loved her deeply in order to survive. the fact that na bori gave up her life willingly doesn't ease lee jihye's guilt - she still feels as though she doesn't deserve to be alive. and kim dokja feels so much compassion for her in this moment! he sees her for what she is - a terrified kid who just wanted to live - and fights for her to survive. he encourages her and empathizes with her and generally does his best to ensure she can live on even with all her guilt because he doesn't see her wanting to survive even at the cost of others as an unforgiveable crime.

which makes the fact you can see the clear parallels between lee jihye and the oldest dream here so much more heartbreaking. the oldest dream is an extension of the message that kim dokja passes onto lee jihye here - no matter what, you must somehow survive. thats what the oldest dream's existence is, a kid trying to somehow survive. that desperation is what his all powerful dreams are born out of. he pushes orv's message about living having a cost, and having to bear that cost, to its extreme - oldest dream's survival was very expensive indeed, causing incalculable suffering across universes and taking 1864 of yoo joonghyuk's lives. this is something kim dokja has to bear to keep living - its something hes unable to. orv forgives him for this, but he does not. both lee jihye and oldest dream are kids who want to live, both hurt those closest to them in the process, both are unable to live with that guilt even when absolved of it by the very person they hurt.

but where kim dokja empathizes with lee jihye, where he cares for her, where he sees her as still deserving of a future, he is unable to do so for himself. even in this very scene he is chastising himself for 'using' her, for doing what he has to to survive in an apocalypse, unable to see the irony. all of his companions have made horrible choices to survive in the apocalypse, all of them have chosen to live at an inevitable cost of someone else. and yet kim dokja holds only himself accountable for the crime of survival. it really exposes this supposed accountability for what it is - a deep self-loathing disguised. if it had been any other child sitting at that subway station, kim dokja would have understood. but because it was himself? of course he reacted with disgust and violence - look at the entire book. he's never been able to do anything else when it comes to himself! even when he cares so deeply for the others....oh kim dokja.....

[anglercrit]

Excuse me for getting all anime powerscaler in the chat, but why is Charlie so fuckin weak? She should logically be the 2nd strongest character in Hell after Lucifer, but all she can do is throw fireworks and block Adam's punch.

It's so stupid bro. At least give her some fun powers: pyrokinesis, flight, super regeneration, being unable to be killed by angelic weapons because her father is an angel or something for fucks sake.

Charlie being op would have been good from a story perspective too as she would have trouble relating to those who are weaker than her especially Angel and Husk, who are stuck under abusive Overlords as well as Sir Pentious.

It feels like Charlie got nerfed because then Alastor would have no purpose at all in the hotel. If Charlie wasn't nerfed this badly, she would be the one fighting Adam at the roof of the hotel from the start and it makes more sense because Adam is HER antagonist while Alastor is just some guy to Adam.

Another written by Vivziepop L

Agreed- the hierarchy and scaling of power regarding Hell and angels and demons makes no sense.

I already rambled about the Goetias and how their power makes no sense when it comes to hierarchy and scaling, but this applies to not only Charlie, but honestly the other sins too.

Like Asmodeus being the weakest sin- which is actually not an AWFUL idea on paper because of how a lot of dominations call lust the "least evil" of the deadly sins, but in the Helluva universe? What makes Asmodeus weaker or less respected than Beelzebub, who seems to only be able to create food?

[inksandpensblog]

Someone in my ao3 comments expressed frustration over Victim's backstory being similar enough to King's to make the episode predictable.

The thing is, I agree, I don't think I was surprised about anywhere this episode went...but it doesn't bother me at all, and now I'm curious as to why.

Maybe it's because, despite predicting where the episode would go, how it got there was still a surprise to me. Maybe it's because having an underlying understanding of what kind of story I was watching play out meant I was able to catch more details, since I wasn't thinking so much about what might happen next; I could think more about the why since I already had a pretty good idea of the what. Maybe it's because the story was doing multiple things at once and wasn't being carried solely by this one predictable plotline.

I think my reaction to the party-disappearance scene is my best example of this. Plot-wise, I knew what was about to happen as soon as the split-second flashes of fire and chaos began cutting into the dance scene: we were about to watch Mitsi die in Chosen's and Dark's attack. But then Mitsi disappeared from the dance floor in a shower of green sparks, and that got my attention, because it meant worldbuilding was happening. And if there's one thing I've learned about writing from Arcane, it's that if you have to give straightforward exposition then having it pull double-duty as worldbuilding is the best way to integrate it into the story.

I already knew Mitsi was about to die, and I already knew it was about to be because of Chosen and Dark. That didn't surprise me.

What surprised me was that sticks who were physically nowhere near the location where the attack was taking place were still affected by it.

What surprised me was the reveal that sticks in this stick-world could be affected by something happening to the website on which their source-files were hosted, and that their existence wasn't entirely separate.

What surprised me was learning that the statements "Chosen and Dark never attacked stick-cities, only websites" and "residents of stick-cities were victims in the attacks, and fear Chosen and Dark" could both be true.

What surprised me was green sparks.

The main plot thread may have been predictable, but a lot of other things in this episode were either new or were finally connected for the first time, and that might've been enough to keep the story from feeling like just a rehash of King's, at least to me.

There's also Mitsi herself to consider. Unlike the previous two backstory-deaths in this series, Mitsi's character is also pulling double-duty by serving a second purpose as Vicitm's foil. She's functionally more than just someone who dies to make Victim sad and evil; she sees the world in a fundamentally different way than Victim does, and this contrast is demonstrated by how her responses to the world differ from Victim's. We see who Victim was before her, we see who he becomes with her in his life, and we see who he becomes in her absence.

I think someone somewhere suggested that Mitsi is who Victim could've been if he wasn't tormented his entire life, and I see their point, but in that light I also find it meaningful that Mitsi isn't just "Victim but without the trauma" personality-wise; she has her own charming disposition and mannerisms that seem to be an innate part of her character rather than just another sign of innocence. Sure, some of her behaviors are ones I could see Victim having in a story where things went differently (and in fact some of them I had imagined Victim having, in the years between when The Showdown aired and when Wanted was uploaded), but not all of them, and I appreciate that.

I think there's also something to be said about how differently King's and Victim's grief manifests despite all its similarities, a la "grief drives King to act while Victim is held back by it," but I'm running out of words.

My point is, yes it's a plotline we've already seen in this series, yes it's being reused, yes it makes the story predictable in some ways...but I think the way it's being applied and explored and executed is different enough from the last time that it doesn't feel like "the same story" is being told again.

[iamnmbr3]

I was reading the wiki page on Occlumency for a fic and now I'm even more confused why JKR thinks Draco can't be redeemed (or whatever she's said on it, I don't care too much for her words).

She literally acknowledges in a quote that Draco is so good at Occlumency because he can compartmentalise his feelings well, and gave as an example that he's such a 'good' bully (good is kind of contested because I really don't think he was that good lol) because he can suppress the pity he feels. Like, she basically says that he does feel bad for (some) of the things he did (or at least has the capacity to), and he just forces it down. I'd imagine an actually 'good' bully wouldn't even feel pity to begin with.

She also says he shut down his compassion to be a good DE, which really just sounds like he tried to shut it down and failed in the end, because he's awful at being actually cruel and doing things the other DEs do. And overall, most people don't hold out for very long when they're actively suppressing or shutting down emotions, and I honestly think it's very possible that Draco struggled more and more with that near the end of the War until it all fell apart at some point.

Of course, this is all just post-books quotes, and fuck JKR, but it's so interesting that she acknowledges that he can (and maybe actively does) feel pity and compassion, which would be such a good set up for a redemption arc imo!

I'm mostly asking this here because your analyses are amazing and you're by far my favourite drarry blog (even though this is only Draco, oops), but I'm curious what you think of this since I don't think you've said anything on this yet (correct me if I'm wrong lol, I could be).

yeah exactly. (for those who don't know - on wizarding world there's this whole long incredibly pretentious and condescending essay that she wrote about how draco didn't get a redemption arc and fans better not like him or else which is hugely contradictory and literally describes how he got a redemption arc - and drops some cool additional lore that makes him even more interesting and complicated - all while trying to get fans not to care. it's wild.) a while ago i started a meta breaking it down but I never got around to finishing it. I really should dig it up.

and yeah I think that whole essay provides great additional backstory that adds depth and interest to draco's character (love the bit about him keeping dark arts relics in a glass cabinet as a reminder - to look at and never use) and is literally the opposite of what jkr wants it to be. she literally describes how he had doubts and had to suppress parts of himself to go along with something he knew was wrong (something that bellatrix or even lucius very obviously didn't have to do) and how ultimately his morals won out, he spent the rest of his life regretting his actions, and fought with his family in order to raise his son with different values. I.e. he CHANGED HIS MIND AND HIS ACTIONS...aka a redemption arc.

the essay is great till jkr concludes with 'so this is why draco is irredeemably evil and fans shouldn't like him'. um ??? the??? why didn't u write him that way???? her lack of self awareness is bizarre.

[mahou-furbies]

First impressions on Champignon Witch

This manga isn't really magical girls, but there is a witch in it (duh) and no way I'm not gonna talk about it. I saw this in a compilation of anime that's coming out in 2025 and from the promo art alone I knew this was going to be my manga (from the mushroom witch hat with ornate decorations), and so far it has lived up to expectations.

The story is set in a fairytale style world, where the black witch Luna lives in her little mushroom house in a forest with her magic familiars, and makes various powerful medicine out of poisonous mushrooms. People fear and hate her because she emits poison, and even the few merchants who will do business with her and treat her in a friendly way wear protective items around her and will scrub clean everything she has touched after she leaves. Luna continues to create medicine for the townspeople though, because she has few other ways to feel connected to other people outside seeing everyone all happy about the anonymous source's cures, even if she knows that nobody would want them if they knew they came from the poison witch. Also unbeknownst to the normies the poison she radiates is actually beneficial, because she involuntarily sucks up this vague evil bad vibe energy around her, and turns it into a more manageable form.

The first volume or so is spent following Luna's life, and it isn't until later when she finds the turbo poisoned boy Lis, somewhat cures him and takes him as an apprentice that the main story actually starts. The council of the black witches wants to kill him, because it is speculated that his poisoning will eventually take over and he'll cause large scale ruination, and only allow a limited time for Luna to teach him to manage his own poison.

I like how the whole series has a rather somber tone, which mostly comes from the characters wanting and failing to be close to one another, and trying to make peace with having to give up on someone. Like Luna has lost several of her black witch friends to witch hunt executions. The story also has a difficult relationship with love, since love is "poisonous" to black witches and messes up their magic, and also Luna has to live in isolation anyway. But it doesn't seem like this is a "love conquers all" kind of romance, because it has a side character give a speech on how it's condescending of outsiders to think that life without love is somehow incomplete.

I really like Luna, aside from the lovely character design she also has sweet quiet personality and it's easy to root for her to get through her self esteem troubles. I also like that she is already an experienced witch at the start and not a newbie who is baffled by everything. I'd say my biggest complaint about the story is that lately it has been a lot more about characters other than Luna, I wish she'd come back to the spotlight soon!

Since Luna's character design is what drew me to this in the first place, I was extremely happy that she wears a lot of memorable "medieval fantasy" type outfits. Quite many of them in fact, she has a new one almost every chapter! And sometimes multiple in the same chapter! And you know how I often like to draw collections of animu outfits with the character standing there in a neutral pose, here the author has done my job for me because almost every chapter ends with a good reference image full body pics of the major characters' new clothes! Even the ones that only appear once on a cover! It's like this was made for me.

Finally it should be mentioned that eventually Lis falls in love with Luna; it's somewhat complicated how old he is because he keeps getting aged down by magic so he is chronologically older than how he looks (and so is Luna for that matter, this is a "magic people stop aging" kinda series), but if that's a dealbreaker to you then maybe steer clear.

[doodler16]

No same Anon about Lilith and Eve.

I agree that at this point, I don't expect anything from Vivzie's female characters. I know I'm going to be disappointed, I'll just take what I like and rewrite them.

Now, the fact that Anon threw out is wrong: Lilith does not belong to the Bible. It belongs to Jewish folklore (Torah) but more as a legend since its origin is Mesopotamian.

Thanks to a medieval satirical text, Lilith was considered the first woman and wife of Adam.

Of course, the second fact that I throw is true: Lilith in her myths is far from the feminist figure with which the image of Lilith is popular. Unlike "Lilith who does not let herself be bent" in the original myths, she is a demonic being who kidnaps babies and rapes men. She does this together with Naamah, Agrat bat Mahlat and Eisheth Zenunim (this is more from the Zohar).

The idea of Lilith as an "empowered figure" is thanks to the creator of Wicca, Gerald Gardner. A very controversial subject, very controversial. I will not go into the debate if the Wiccans are considered a kind of pagans or just imitators of paganism who want to feel special because of the esoteric of the whole thing, but it is due to them that the figure of Lilith was bleached to look like this "rebel" being. And recent popular culture pushed that narrative further.

The same example is HH: Lucifer and Lilith are in love, Adam is evil from minute 1. Lilith did not bow to Heaven and Adam, she rebelled with her love Lucifer and now she is the queen of Hell.

When in reality several myths tell us that the one who did not overcome her ex was Lilith:

In one version we are told that Lilith transforms into Eve and has relations with Adam.

In another we are told that one night she enters Eden and rapes him.

In another we are told that, after Cain and Abel, Adam and Eve separate for 140 years due to the horror of the affair. In this myth there are 2 versions: again, Lilith has relations without Adam's consent (here Naamah, Agrath and Eishet are included). And the other is much calmer where Adam accepts to be with Lilith during those years.

What is made clear is that in all versions they have descendants: the lilims, the succubi, some vampiric beings, and sometimes it is even said that Asmodeus is the son of these two.

(In other versions, Asmodeus is the son of a mortal and Naamah, in other versions he is simply the husband of Lilith).

So for the first time, if Vivziepop puts Lilith as an evil being, a bad mother and so on... well, she would be the only character that is close to the original source.

And don't get me wrong, I'm not against reinvention or looking for a different route to the established (I have Adam x Lilith as the endgame in my rewrite and of course I've had to tweak some things) but Vivzie is criminal to the point that I'd rather she didn't touch Lilith and Eve because they're going to be at the mercy of favoring Lucifer. Do I want to be wrong? Yes, I want the show to tell me "You know what? Actually the conflict of these two doesn't revolve around Lucifer or Adam, neither are they going to become lesbians, nor are they going to have that kind of "I'm better than you because..." fight; no, their conflict is going to make Lilith feel guilty because she realized that she ruined two people's lives by imposing herself before what she thought was right, becoming the very thing that she complained about Adam and Heaven. And that Eve's conflict is that for a long time she felt this complex of being the replacement, that she should imitate Lilith because she was "the original, what a woman should be" as well as sticking to what "a wife should be", even putting that Adam let her be her own person because he was worried about how bad Eve was getting because of her own existential crisis. He as Lilith can ask Eve for forgiveness, but Eve cannot accept it. Thank you for saying so, but Lilith and Lucifer's actions doomed many and in horrible ways."

Am I going to get it? No, but I have accepted that I will live with it. There will always be a fanfic, a video, a new series, something, that really wants to explore all these characters beyond the original versions or the cheap tropes surrounding them.

Sorry for the big text, I needed to get it out of my system.

Yeah, I don’t blame anyone for having super low expectations regarding the Hazbin Hotel women especially with Lilith and Eve. Since in Helluva Boss, the women are demonized, one-note, and super side-lined. The women in Hazbin Hotel so far are mediocre anyway.

You good, Anon. No need to apologize and thanks for the clarification regarding Lilith. The version you mentioned about Lilith transforms into Eve is interesting because Vivziepop is planning some big plot twist with Lilith, Eve, Rosie, and Roo. Something about one being the other.

[lyxthen]

I want to write an essay on how the Book of Bill expertly subverts the "villain with a tragic backstory/antisocial protagonist" narrative by portraying its main character as evil, trying really hard to look cool, and failing pathetically. The book is making fun of him, and that is actually kind of revolutionary, because most stories with evil, pathetic main characters tend to take themselves, and by extension, their protagonist, way too seriously, with way too much dignity, which leads to people misinterpreting them as heroes or idealize them in some way, and then replicating these harmful attitudes. They follow life coaches that will teach them how to be "alpha males."

Bill presents himself as one of these "life coaches," he will teach you the secrets of the universe, he will help you to game the system in your favor, to manipulate people to get what you want, he will free you from the shackles of society and reality itself-- but he is lying. The success rate of Bill's evil schemes is laughably small. He's a manipulator, to be sure, an incompetent one. His dimension rejected him, his friends don't actually like him, throughout the ages humans have found him insufferable, and to top it all off he ruins the relationship with the only being in the history of the universe he has ever truly felt understood by.

And instead of going "gee, maybe there *is* something wrong with me, after all" he doubles down on his harmful ideas. He doesn't have a problem, everyone else is the problem. Nobody gets his vision. They are all small-minded creatures of no value. His failures are always somebody else's fault. He didn't want to hurt anyone, he was forced to. It's not that bad, he's just being silly, he's having a laugh.

And we, as readers, we are horrified at all the bad things he does, but we also laugh. Not with him, but *at him.* He is being constantly ridiculed by himself, and the funniest part is that he doesn't even realize. He thinks he is absolutely acing this.

He isn't.

Eventually, it is revealed that Bill has no idea what he is talking about. That he has been defeated, rendered powerless, stuck forever in interdimensional therapy. The book tells us, "This is what happens to people like Bill if they don't change. They end up with nothing. No riches, no fame, no loved ones. They will be unhappy forever unless they realize there is something about them worth changing and decide to act on it."

This is in contrast to Stanford, someone who, just like Bill, was deeply hurt and rejected by society, struggled to feel understood, and took refuge in a narcissistic (bear with me-) view of the world. Diagnostic labels aside, Ford genuinely thinks he is better than everyone else for being smarter. He is a textbook Aspie Supremacist that swears by IQ tests because it's the only thing that has ever validated him. That's why he gets along with Bill, I think, they really *have* compatible mindsets. Ford really thought Rudolph should've killed the other reindeer. He constantly dismisses Fiddleford in what feels a very classist way (even if he grew up working class himself). Ford isn't manipulative and malicious in the same way Bill is, and I don't want anyone coming at me for saying Ford is evil. He isn't. He might be a bit of an ass, but he has a moral code, he knows that what Bill wants to do is A BAD THING and dedicates his life to trying to stop him. Stanford's biggest flaw is not appreciating the people around him more for their inherent value (not that he doesn't love them! he does!), but he learns, and he changes. He is more considerate of other people's needs and their perspectives.

And by the end, he is happy. He is free from Bill, he has his family, people who will support him unconditionally and will put up with his nonsense because they love him.

Stanford will never find someone who is as smart as him, who has been ostracized the same way he has. But that's okay. He has an inherent value as a person that has nothing to do with how smart he is in comparison to other people. He doesn't need other people's approval to be happy.

That is, I think, what the book wants you to take away. Don't be like Bill. Don't fall for the Alpha Male scam, or eugenics, some new age cult or multilevel marketing scheme, reject the ideas at the base. Talk to your family and friends, touch grass, find a group that shares your interests, but don't dwell endlessly on resentment, and don't follow people that tell you that the only way to be valuable is to be "superior" in some abstract metric, and that they can teach you how.

(As a kid, I almost fell down the alt-right pipeline-- and I am Mexican, transgender, and autistic. I fantasized about blowing up the school every day. I know what the fuck I am talking about when I tell you this.)

They are lying. You don't want to be like them.

You don't want to be like Bill.

[unopenablebox]

doing evil behaviors (looking up different methods of engagement ring sourcing to try to identify the most ethical one)

[poorly-drawn-mdzs]

The girls are plottinggggg

[First] Prev <–-> Next

[scoliosisgoblin]

Which version of Rick is your fav?

it's so hard for me to choose tbh. HOWEVER, I'd say Evil Rick

then I'd say it's C-137 and Memory Rick

I love how pathetic™ Evil Rick really is tbh. love that he's being controlled by his Morty. can you guess who my favorite Morty is?

[lovelyrotter]

can ppl in this fandom like... stop... implying that transmasculinity in hcs or (especially) canon is shallow or misogynistic or even transmisogynistic on princible, like literally just by being prescent in someones mind or in the text. like that doesnt fuckin feel good. thats kind of really nasty to imply. if its not okay to say about other trans experiences, maybe dont say it about this one either. why is there a weird little exception here. yall KNOW how much that sucks to hear all day every day. what the fuck

[moeblob]

Amazing, take some of the side character demons from Evil Bound.

Vincie is a menace to Chuck and Chuck alone so in Hell, Chuck hexes his hand behind his back so that he isn't grabbed as much (and it's harder to pet him). Chuck is like the most irresponsible older sibling ever to demons though so Kelvin recruits him (as an older sibling vibe) to go help him get his ACTUAL older sibling from Earth. Chuck agrees. And then drags Vincie from Hell with them because no one else wants to babysit him and he refuses to unbind the hex just to re-hex when he returns to Hell.

In Hell, Kelvin actually doesn't appear much different than his human form! Like Kronos, the lines under his eyes are red in Hell but black on earth. Chuck however? In Hell he has wolf-ish ears and has a fur lining his neck (note the neck scars in human form). In addition to that he has four eyes in Hell (note the scars under his eyes in human form). Vincie just has horns in Hell. And! In Hell the hex doesn't have a silly looking "tied up" look, it's invisible unless Vincie strains it with movement and then its red text. But it shifts on earth to be visible.

Vincie's biggest agony for the entirety on earth is "dude it's colder here than in Hell I want a jacket to slip my arms into BUT I CANT BECAUSE IM BOUND".

[icewindandboringhorror]

Pictures and things

[cathodic-clairvoyant]

There's a lot about discussion of hdwr that baffles me (not all discussion to be clear, because i do think there's a lot of good discussion about hdwr. But equally so are there the ones that make you wonder if you're reading the same story) and I think one that is especially annoying is the constant infantilization of miwa as this passive eternal victim. It drives me up a wall because this is quite literally an issue she's struggled with within the text of the story! She had an arc about how she dislikes how people treat her this way like towards the beginning of the story! And like even ignoring that, this story is about like nuanced and realistic portrayals of being in relationships and learning how to navigate them and so it's like what's the point if you're going to immediately reduce the characters to "the victim" and "the victimizers?" Is that even interesting? Is that a useful lens to look at interpersonal relationships?

[lilacerull0]

you know that episode really fucked me up this morning